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Primer 5 · SocietIES of Spectacle Situationism + plants · Curated by Michael McInnis

Primer 5 · SocietIES of Spectacle Situationism + plants · Curated by Michael McInnis
Primer 5 — SocietIES of Spectacle Situationism + plantsCurated by Michael McInnis

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About the Author

Guy Debord (1931-1994) was a French Marxist theorist, philosopher, filmmaker, member of the Letterist International, and founding member of the Situationist International.

About the Text

First published as La Société du Spectacle, Paris: Editions Buchet-Chastel, 1967; reprinted Paris: Champ Libre 1971. The first English translation was published by Black & Red in 1970. It was revised in 1977, incorporating numerous improvements suggested by friends and critics of the first translation.

16 pages; 4×7; Saddle-stitched

Read excerpts
People who talk about revolution and class struggle without referring explicitly to everyday life, without understanding what is subversive about love and what is positive in the refusal or constraints, such people have a corpse in their mouth.”
—Raoul Vaneigem, The Revolution Of Everyday Life
How to talk like a Situationist

Always use the most obscure language possible…. In particular, the words “boredom” (as in “there’s nothing they won’t do to raise the standard of boredom”), “poverty” (of the university, of art), and “pleasure” are important tools in the young situationist’s kit, and use of them will greatly enhance your standing in the situationist community.
Cultivate a conceit and self-importance bordering on megalomania. Take credit for spontaneous uprisings in far-flung corners of the world, sneer at those who oppose or disagree with you.
— Anonymous, excerpts from Shoe Polish Week

  • IT IS FORBIDDEN TO FORBID
  • ART IS DEAD – DO NOT CONSUME ITS CORPSE
  • SAME THING DAY AFTER DAY – SUBWAY – WORK – SUPPER – WORK – SUBWAY – COUCH – TV – SEX – SLEEP – SUBWAY – WORK – HOW MUCH MORE CAN YOU TAKE?
  • BECOME A GROUCHO MARXIST
  • IS IT EVER WRONG TO PUNCH A NAZI?

Primal Primers are offered for entertainment and enlightenment purposes only. This work is licensed under CC BY 4.0. To view a copy of this license, visit creativecommons.org/licenses/by/4.0/

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